《Mystery of the Matthiola Incana》50x42cm 2015-2016（Paris/Las Vegas）

《紫罗兰之迷》50x42cm 2015-2016年（巴黎/拉斯维加斯）2016年-中国天津程亚杰实验艺术馆收藏

　　淡淡的惆怅透过了紫罗兰的幽香。岁月把爱变得厚重沉淀。让风吹向远方，泛黄的日子里，滑落一枚紫色的花瓣，那是我挚爱的花儿。我把这片回忆轻轻捧在手心，轻捻着她那昔日的烂漫。一滴惆怅滑落在眼角，濡湿了我深沉的思念，我想走回，那紫罗兰盛开的春天。记忆轻挪脚步，把潮湿的思念摆放在窗前，色彩斑斓，绛紫的浓烈是爱的眷恋，紫色是我青春画板上的壮丽，临摹了我梦的斑斓。鲜花万朵，紫色的迷影罗列着思念的苦涩，把幽香从巴黎吹到那泉水边……

（散文赏析：米歇尔Michelle）

《遥远的追想》100x80cm 2016年

　　遥远的追想是个富有哲学思想和诗歌般的名字，他是画家胸中无数素材的缩影。画面取材于西方的雕塑题材。画面生动，刻画一位智者在艺术领域里遥远的追想。眉间微簇，面部轮廓清晰。雕塑右下部是幻想题材雕塑面具，有着强烈的非洲部落元素。拉斯维加斯的标志布局在画面左下角，画家独有标志元素年代体现，错落有致摆放在画面里。

　　追溯西方雕塑的传统发展它是以欧洲为中心，代表性作品主要有古希腊雕刻、古罗马雕刻、中世纪雕刻、文艺复兴时期雕刻、18世纪雕刻。风格有古典主义、浪漫主义、现实主义、象征主义等。西方雕塑史上有四个最为辉煌的高峰期，分别是古希腊罗马时期、欧洲文艺复兴时期、19世纪法国雕塑和20世纪西方雕塑。

　　而后美洲墨西哥湾地区也出现了最先进的古典前期文化，即奥尔迈克文化，他被誉为墨西哥文明的前身。公元前300年左右玛雅文化开始出现并发展，它继承了中美洲文化传统，发展了大型雕塑，如神庙等。其中埃及文化也是非洲艺术长河中一颗灿烂的星星。遥远的追想就是雕塑艺术在时光隧道里，画家运用独特艺术形式演艺出来的杰作，程亚杰又一次浓缩了艺术的时光剪影，在这里艺术历史从未离开，现实即将走来……（散文赏析：米歇尔Michelle）

　　"Distant Recollection"  100 x 80 cm, 2016

　　The distant recollection contained a rich philosophical thought and a poetic tune to the name, he was epitome of vast creativity in every artist's heart.

　　His canvas is sculpted of Western themes, images so alive, depicting the sage's long lost retrospects. Brows sketched to the microscopic level, linee perfectly drawn to contour the face.

　　A secretive mask hides at lower right corner of sculpture, speaking passionately of those African tribes. Then the classic "Welcome To Las Vegas" sign clings off of canvas's lower left corner, a unique way the painter expresses reflections of time, and of course let's not forget about the patchwork plastered througout the canvas cloth.

　　The Eurocentric sculpture traced footsteps of development of Western world; they are the storytelling of ancient Greek, Roman, Medieval, Renaissance and even 18th centry, diversified by neoclassical, romanticism, realism, symbolism styles and so on. There were four most eulogizing times in the history of Western sculptures which were ancient Greek and Roman times, the Renaissance age, followed by the 19th centry French sculptures then the 20th centry Western style.<br>However thereupon came the most facinating advanced pre-clssical culture at the Gulf of Mexico, the Olmeca culture, that was recognized as the antecedents before the Mexican civilization.<br>The Maya civilization thrived around 300 BC, inheriting cultural tredition of Central America, who invented the largescale sculptures such as to be worshiped.<br>The Egypitial culture on the other side of the earth acted as the bright milky way that lit the riverflow of the African culture.<br>Distant recollections are analogous to sculpic works traveling in tunnel of time, masterpieces uniquely formed by the performing arts of the sculptor.<br>Yajie Cheng once again manipulated silhouetts of time so condencedly that his art would separate itself from history, so to soon unify with reality.... (Prose  Appreciation:  Michelle)

《红与黑》58x40cm 1994-2016 维也纳、拉斯维加斯

"Red and Black” 58 x 40cm 1994-2016 （Vienna and Las Vegas）

　　In Jean Jullien's dream, he was a philosopher who thought profoundly about life, about Paris, and his mind forever sorely pursued the way of Napoleon.

　　His lifelong love for Mrs. Deleina had grown even deeper, especially when his life approached to an end, and he was painfully reminded of circle of life.

　　Long story short, Jullien had exhausted his poor heart in hopes to grasping Mrs. Deleina's heart while striving to prove his capabilities and worth, but ultimately was left with mere realization that she was the lone desire in his life.

　　Repetitive storms of love struck Jullien later in his lif from encountering lady Mathilde who bewitched his soul entirely.

　　It wasn't until he lay in deathbed that Jullien realized that Mrs. Deleina had been the one taken care of him unconditionally.

　　The painter carves Jullien's deep surging dreams distinctly onto the canvas, where aspiration went unnoticed, love caressing dreams, and everything unstoppable.

　　Letting his ambitions vacate from body, he heedlessly accepted death.

　　It what then that the dark soul had finally be purified by his rushing blood.

　　The background of canvas portrayed a waterfall, depicting inner desolate soliloquy and freedom of expression through superimposed coloring methods.

　　Streams of consciousness can be visualized in this two dimensional artwork, which is named "The Philosophy And Poem Of Souls."

　　The ideals compiled all 22 years touched the heart and he let tears of success dilute the red and black phantom, reflecting upon his historical glory.

　　(Prose appreciation: Michelle)

泼彩速写《远方的朋友之沙漠之春》55x40cm2011-2016年（埃及、拉斯维加斯））

　　黃沙古道溢，史卷纸墨间。一代画风起，瞬时蝶舞天，雄驼托使命，泼彩走大千。一派今出世，画坛新页掀。

　　A sand trail is endless, an art work is always new and makes its owns history. A painting style with butterflies suddenly in the sky, a responsible camel carries a man with a mission splashing color. A new faction is coming now, and a new page is turned in the art world. Written and Translated by Pamela Longley

程亚杰，《眸》100x100cm 1992-2016年维也纳/拉斯维加斯

　　那缠绕的一双光环

　　闪烁在夜空

　　照亮了宇宙的春天

　　黑色的眸子

　　挺拔的高山

　　一弯新月

　　万里云天

　　吞吐着遥远的的灿烂

　　清澈的潭底

　　纯洁的心田

　　绽放出雪山的梅

　　幽谷的兰

　　池边的柳

　　湖心的碎莲

　　这种种的慧趣

　　都是来自明媚的眼前

　　……（赏评：刘学仁）

　　眼睛，心的窗棂。画家捕捉的瞬间，是智慧与善良的传递，愚蠢与丑恶的鞭辟。《眸》，抓住了创作的圆点，从而就有了灵魂的冲动，情感的抒写。程亚杰以其一贯的审美慧趣，在这个作品中得到了任性的涂染，于幻想中揉入了精细的痕刻。

　　除了色彩的心理暗示，光合的投射，亦可深入表达肌理的透析，而形成立体的、幽远的、多维度的观测効果。当然，这又是《眸》的另类的艺术特色。同时，也给予了欣赏者与画中的主人，近距离心灵交谈的空间。可以说，画家的高人之处，可能正在于此的明见。

　　还有，已近天命的程亚杰，年来正逢甲子烧云。随之岁月的风尘，心理的煎熬，技艺的成熟，自己的风格渐次形成。维加斯的符号记忆，已然表现出象征性意境。《眸》，似乎又有了进一步的突破，而更加施以完整的的表达。多形态的复合彩调，给予观画人奇逸的猜想，干干净净的灵魂的洗涤。通过少女的眼睛，唤醒善良的心地，让自由、自主、自在的人性光辉，照亮夜空，响彻宇宙……（赏评：刘学仁）

《梦中期待》Longing in Dream 38x52cm 2005-2016年 巴黎 拉斯维加斯

　　落照

　　慢慢地西行

　　郊野的湖畔

　　一个丽影

　　在静静的期待

　　期待

　　那梦中的水声

　　绿草地

　　围栏边

　　斜倚着寂寞的

　　心情

　　我的眼眸

　　模糊了宇宙的神圣

　　美的沉醉

　　似迷霧般的云片

　　融入了

　　我的魂灵

　　……（赏评：刘学仁）

　　女人，在男人的心中，是一个宇宙，是一尊神圣。而男人在女人的眼里，却是一片迷茫，一个梦境。程亚杰正是基于如此的认知，推衍出一系列的女性，那迷彩的丽影和线序的柔情。

　　《梦中期待》，即表达着一个知性的魂灵，那种忧郁的心情。梦，本是水声的流动，盼，才是心理的风鸣。尤其是那些看似坚定而充满睿智的女生，越是容易背负着思想的沉重。画中的主人公，难道也是如此期待，飘渺在遥不可及的梦中？

　　亚杰的画，常常是一个迷团。没有主题，只有心魂。送达欣赏者的总是欣赏者自己的梦境。一幅画，可以是画者，也可以是观者，还可以是许多的眼睛。

　　我想，这可能就是程亚杰的艺术，其之所以成为名家的原因吧……（赏评：刘学仁）

《艺术魔术师之数独》57x40cm1994-2016年 维也纳/拉斯维加斯

　　一个美丽的女神

　　是从海底游来

　　还是伴云风飞下

　　披散着落发

　　赤裸着莲华

　　喚醒了春芽

　　开放了百花

　　引惹的

　　那白的水彩的蝶数的花

　　在这迷乱的三月里

　　逗笑了

　　满天的的晚霞

　　我

　　静静的倾听

　　倾听那遥远的回答

　　……（赏评：刘学仁）

　　一个赤祼的灵魂，一朵浮动的莲花，这是少女的美，触摸在了画者的笔下。程亚杰不知以怎样的心情，魔术般的手法，幻化出如此的精灵，让欣赏的人随着画面的转动，难以松懈眼眸的停歇。

　　喧哗在沉寂之后，灯火暗然，真实的自我于雅淡中呈现。这是多么美妙的感觉，不仅是安静，更是一种禅定。东方的哲学里，隐喻着佛国的真如境界。我久久地注视着满纸的文字，飘忽的数码，飞舞的蝶翼，心中在忐忑的流动，有了那种山野间溪水洗过的清爽。

　　画面中的丽人，弯曲着身体，眼神含着忧郁。那是一种思考，一种释然。披着散漫的长发，似云行在天际，又似游走在水底，如同一尊天女升华着拯救大地的神奇。《艺术魔术师之数独》到底藏着什么密秘，仁者见仁，智者见智。那么就随同画家，一起去猜测吧……（赏评：刘学仁）